Bleeding art industries

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Bleeding Art Industries has been a leader in the Creative Industries for close to twenty years. We’ve won awards and garnered kudos worldwide for some of the best work around in practical special effects, custom design and fabrication, stereoscopic 3D stop motion animation, and more.

Starting with the award-winning work we created with Canada&#;s first stereoscopic 3D stop motion animation, we&#;ve been expanding our practical expertise in the digital realm. Using VR, photogrammetry, and game engine technology, we are taking our physical world and immersing it into a virtual one.

Whether digital, physical, or both, if you&#;re looking for custom work with a big WOW, look no further. Contact us if you’re interested in hearing how we can help you create your own cool.

The next Pyrotechnics Safety & Legal Awareness Training Course is happening online on Sunday, October 24th from 10 am to 4 pm MST. Click here for more information and to register.

In the spirit of reconciliation, we acknowledge that we live, work and play on the traditional territories of the Blackfoot Confederacy (Siksika, Kainai, Piikani), the Tsuut’ina, the Îyâxe Nakoda Nations, the Métis Nation (Region 3), and all people who make their homes in the Treaty 7 region of Southern Alberta.

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Sours: https://www.bleedingartindustries.com/

Bleeding Art Industries

Entertainment production company

Bleeding Art Industries is an entertainment production company focused on creative content production, special effects, custom fabrication, product sales, and equipment rentals. It is based out of Calgary, Canada. The company is known for its work in the film, television, performing arts, themed exhibit, military simulation, and live event industries.[1] Bleeding Art Industries was founded by Leo Wieser in

History[edit]

Founded in late as a sole proprietorship and incorporated in , Bleeding Art Industries (BAI) originally focused on theatrical design work, with Founder Leo Wieser working as a contractor, designing costumes, sets, and lighting for theatre and performing arts companies across Canada, and touring worldwide with puppeteer Ronnie Burkett. After working for a local pyrotechnics company, where he designed and implemented pyro displays, Wieser began doing mechanical special effects for films. BAI has since specialized primarily in special effects including pyrotechnics and other atmospheric effects, and has expanded over the years into providing creature and character effects, themed exhibits, custom props, and sculptures. The company also has a sales and rentals division, selling film production supplies, special effects make-up, and selling and renting special effects equipment. It manufactures and sells its own line of bloods, gelatin and gelatin appliances, snow, and other special effects make-up products. BAI has established itself as a high quality provider of special effects services and expendables for the Canadian market.[2][3] The company began a production division around under which it creates and produces its own content. Its first film - Skeleton Girl - is the first Canadian film shot in stereoscopic 3D and stop motion animation. It premiered in New York in April [4] It also worked with Insurrection Films on the film The Hunt, designing and building two creatures for the short horror film, also currently on the festival circuit.

Credits[edit]

Films[edit]

Television[edit]

Performing Arts[edit]

Live Events[edit]

  • Calgary Stampede Parade Kick-Off (design and fabrication of "plunger" to start fireworks)
  • Calgary Stampede Round-Up Centre events (pyrotechnics shows)
  • Calgary Comic Expo (Pyro and fog effects for William Shatner's appearance, and for The Guild).
  • Calgary Stampede's Grandstand Show props (oversized stylized heads and oversized horse heads, shields and swords).

Other[edit]

  • Critical Mass Clorox Miniatures (fabrication)
  • Alberta Ballet Balletlujah (fabrication)
  • Joe Media GM Goodwrench commercials (special effects)
  • Theatre Calgary (fabrication of rock chandelier)
  • MacLaren McCann (snow effects for Mark's Work Wearhouse print ad campaign)
  • ATB Financial (fabrication of parade float)
  • Tyrrell Museum of Palaeontology (design and fabrication of base for dolphin exhibit)
  • Calgary Public Library (design and fabrication of parade float)
  • Explosives Regulatory Division - Training, Edmonton Police Service
  • Air Canada Parade Float
  • Heritage Park Ghouls Night Out (special effects, fabrication)
  • WAX Partnership 3D billboard/outdoor (design and fabrication of 3D figure and props)
  • Venture Communications exhibit prop (design and fabrication of faux log for photo ops for Travel Alberta exhibit)
  • Camp Arcatheos (special effects, some props building)
  • Watermark Advertising (snow effects for Mark's Work Wearhouse print ad campaign)

References[edit]

Sours: https://en.wikipedia.org/wiki/Bleeding_Art_Industries
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Bleeding Art Industries: Creating cool in the creative industries

Two employees at work

Many people in the creative arts have heard about Bleeding Art Industries. From creating mind-blowing special effects to designing and manufacturing props, prosthetics and creatures, to content creation, the Calgary-based company is a full-service effects shop and studio.

Intellectual property (IP) has always been a key component of Bleeding Art Industries' strategic planning, according to the company's co-owner and vice president, Becky Scott. The company has registered several trademarks and copyrights.

Creating cool

The name Bleeding Art Industries was registered as a trademark in Later, in , the company began to manufacture its own artificial blood and other special effects makeup. As the company expanded its special effects assets, it registered a trademark for Unreel Snow, a fake snow product that is used for film productions.

In , the company registered copyright for its award-winning short film, Skeleton Girl. The film led Bleeding Art Industries to the pinnacle of content creation and broke new ground for Canada's short-film industry by becoming the first stereoscopic 3D stop-motion animated short film. It was premiered in New York and won the "Best First 3D Film" award at Be Film The Underground Film Festival. Since then, Skeleton Girl has been screened at movie festivals around the world.

"Owning our own IP is part and parcel with running a professional world-class company," says Scott.

Making profits by owning IP

Owning IP is important because, as Scott describes, "the company can take its own unique creative content, like Skeleton Girl, to wherever it wants in the world. The company can continuously monetize the properties it owns."

"IP is always on top of our mind when we discuss new products and productions."

Becky Scott
Co-owner and Vice President, Bleeding Art Industries

Bleeding Art Industries has been protecting most of its IP since its establishment. At the beginning, IP was seen as insurance more than potential financial return. The value of owning IP becomes crucial as the company's reputation grows or if the company is merged or sold.

"We are in it for the long game and know that allocating even minimal resources towards protecting our own IP is a prudent investment," says Scott.

In , the company partnered with the National Research Council Canada's Industrial Research Assistance Program and received funding to hire an engineering intern so that it could better protect and grow some of the IP it owns through research and development.

Building a better future with IP in mind

Scott says the company has become much more focused and strategic as to where it invests its energy. For example, the company has increased its number of IP ownerships for products, creative content and characters. Moreover, it has expanded outside the film industry, and has improved its digital presence on its e-commerce store and on social media. It also partners with other businesses that can help the company fill in the gaps where it doesn't have the resources.

"Owning our IP is at the forefront, no matter what area of business we are talking about—be it product development, creature design or character and series development and production," says Scott.

What we can learn from Bleeding Art Industries' success:

  • start thinking about IP from the beginning as a way to add value to your company
  • recognize ways to increase your brand recognition by leveraging IP
  • monitor the exploitation of your IP by others and implement proper paperwork to protect it
  • protecting your IP is an important business practice for any growth-oriented professional company

Consult our IP experts on how to develop an IP strategy for success.

Sours: https://www.ic.gc.ca/eic/site/cipointernet-internetopic.nsf/eng/wrhtml
Bleeding Art Industries - Special Effects Makeup - Sold at The Costume Shoppe

I asked Philip when he went to bed. He went into his dressing room to put on his nightgown, which he rarely does, and today I found a pair of knickers. There, hidden under the chair.

Art industries bleeding

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Bleeding Art Industries Fabrication + Stop Mo Demo Reel

He towered over the small figures of numerous visitors. Like a black rock, he stood at the side and closely watched and in front of his eyes stood a toothy creature with a stub of a member. In his mouth.

Now discussing:

When he stopped jerking off, Mila took his dick in her mouth and sucked the last drops of sperm. I went up to her and began to kiss, licking drops of sperm from her face. Sperm And now the door from the closet opened wider and wider, Flo was there absolutely naked and on the opposite side there.



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